After a disturbing incident of harassment on a riverfront, Raunaq and Revti rush back to the perceived safety of their home. What begins as routine, locking doors, drinking water, changing clothes, quickly escalates into a charged confrontation. Revti questions Raunaq’s response to the incident, while Raunaq subtly shifts blame onto her clothing and choices. Their argument intensifies, exposing deeply ingrained ideas around victim-blaming, gender roles, and the male saviour complex.

As the night unfolds, the home becomes a space of interrogation rather than refuge, where intimacy collides with mistrust and protection clashes with autonomy. The film deliberately avoids resolution, leaving both the couple and the audience confronting uncomfortable questions about safety, complicity, and freedom within intimate relationships.